Description
The book traces the roots of Indy car racing’s dysfunction, which began in 1945 when Tony Hulman rescued the Indianapolis Motor Speedway from potential redevelopment. Over the next 75 years, the Hulman-George family used the stature of the Speedway to carve out a powerful position in American auto racing that sometimes resulted in conflict with Indy car competitors. A volatile period in the late 1970s sparked the formation of Championship Auto Racing Teams (CART), and tensions ramped up even more when Hulman’s grandson, Tony George, assumed power in 1990.
In unprecedented detail, Indy Split uncovers how the Split forced Indy car fans, sponsors, broadcasters and participants to choose sides. The book brings to light the confusion and animosity which caused unnecessary damage to the sport, and covers how negotiations driven by legendary racer Mario Andretti and actor/racer Paul Newman ended the Split in 2008, only to have George to walk away less than three years later. The long struggle for stability was finally resolved in 2020 when Roger Penske acquired IMS and the IndyCar Series, securing a bright future for the Speedway, the Indy 500, and the sport.
Longtime motorsports reporter John Oreovicz began attending the Indianapolis 500 as a teenager in the late ‘70s, allowing him to witness the sport’s growth as an avid fan before documenting its decline as a journalist. With a foreword by Motorsport Hall of Fame inductee Robin Miller, arguably Indy car racing’s most vocal advocate, this is the real story of The Split from one of the sport’s most respected voices.
We listen as the once-dominant, thundering Big Block American V8 struggles to stave off a ferociously whispering threat by the novel new twin-turbocharged Flat-12 from Germany.
Motorsports reporter Pete Lyons was there with camera and notepad. Now, 50 years afterward, he brings those days of unequalled performance back to life with 24 of his own photos, along with his eyewitness memories of those fabulous cars and stars.
Big, bold, and beautiful like the old Can-Am itself, this is not only a premier quality wall calendar for the racing fan, but it is also a glimpse back into an age of epic combat.
